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WW2 Aviation Art - US


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The Ubiquitous Dakota by Ivan Berryman.


The Ubiquitous Dakota by Ivan Berryman.
7 editions.
£2.90 - £1200.00

No Trains Today by Stan Stokes.


No Trains Today by Stan Stokes.
3 editions.
£35.00 - £400.00

Midway: The Turning Point by Stan Stokes.


Midway: The Turning Point by Stan Stokes.
3 of 6 editions available.
All 2 editions featuring an additional signature are available.
£90.00 - £140.00


Favorite Lady by John Young.


Favorite Lady by John Young.
2 editions.
£55.00 - £70.00

Ruby's Fortress by Stan Stokes.


Ruby's Fortress by Stan Stokes.
3 of 4 editions available.
The one edition featuring an additional signature is available.
£95.00 - £294.00

Hellcat Fury by Robert Taylor.


Hellcat Fury by Robert Taylor.
3 of 4 editions available.
All 4 editions feature up to 12 additional signatures.
£210.00 - £395.00


Dove of Peace by David Pentland.


Dove of Peace by David Pentland.
7 of 8 editions available.
All 3 editions featuring up to 2 additional signatures are available.
£40.00 - £280.00

Pappys P-40 by Stan Stokes. (AP)


Pappys P-40 by Stan Stokes. (AP)
One edition.
The edition features an additional signature.
£600.00

Hot Pursuit by Nicolas Trudgian. (B)


Hot Pursuit by Nicolas Trudgian. (B)
2 editions.
Both editions feature up to 4 additional signatures.
£360.00 - £460.00


Doolittle Tokyo Raiders by Robert Taylor.


Doolittle Tokyo Raiders by Robert Taylor.
One of 2 editions available.
The edition featuring an additional signature is sold out.
£525.00

Leap of Faith by Ivan Berryman.


Leap of Faith by Ivan Berryman.
6 of 7 editions available.
£2.90 - £220.00

P-51 Mustang by Nicolas Trudgian.


P-51 Mustang by Nicolas Trudgian.
16 editions.
All 16 editions feature up to 2 additional signature(s).
£55.00 - £120.00


Pure Dynamite by Ivan Berryman.


Pure Dynamite by Ivan Berryman.
9 of 10 editions available.
£2.90 - £300.00

Head for Home by Anthony Saunders. (APB)


Head for Home by Anthony Saunders. (APB)
5 editions.
2 of the 5 editions feature an additional signature.
£55.00 - £6500.00

Doolittle Raiders by Robert Taylor.


Doolittle Raiders by Robert Taylor.
One of 3 editions available.
Both editions featuring up to 14 additional signatures are sold out.
£495.00


Berlin Bound by Anthony Saunders.


Berlin Bound by Anthony Saunders.
4 editions.
£22.00 - £400.00

101st Airborne en route to Normandy by Ivan Berryman.


101st Airborne en route to Normandy by Ivan Berryman.
7 editions.
£2.90 - £1000.00

Pacific Dolls by Stan Stokes.


Pacific Dolls by Stan Stokes.
One edition.
The edition features 5 additional signature(s).
£180.00


Operation Tidal Wave by Nicolas Trudgian.


Operation Tidal Wave by Nicolas Trudgian.
5 editions.
4 of the 5 editions feature up to 4 additional signatures.
£2.00 - £220.00

Mission to Yokohama, Japan, June 1944 by David Pentland.


Mission to Yokohama, Japan, June 1944 by David Pentland.
7 editions.
One edition features 2 additional signatures.
£2.50 - £4500.00

Eagles on the Rampage by Robert Taylor.


Eagles on the Rampage by Robert Taylor.
2 of 6 editions available.
All 6 editions feature up to 25 additional signatures.
£210.00 - £375.00


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Text for the above items :

The Ubiquitous Dakota by Ivan Berryman.

The Douglas C-47 Skytrain - or Dakota, as it was known in RAF service - saw extensive use both as a glider tug and troop transport throughout World War 2, most notably for delivering paratroops to their designated drop zones over Normandy in June 1944 and over Arnhem in September the same year, often in the face of extreme anti-aircraft fire and attacks from enemy fighters. Here, C47s of the 81st Troop Carrier Squadron, 436th Troop Carrier Group drop paratroops above Holland as part of Operation Market Garden.


No Trains Today by Stan Stokes.

The A-26 Invader was one of the most effective attack bombers to see action late in the War, and the aircraft, when fitted with eight .5 caliber machine guns in its nose, was an incredibly effective ground or surface ship attack aircraft. Douglas Aircraft developed the aircraft. The team of Edward Heinemann and Jack Northrop worked on the initial design of what would become the A-20 Havoc. Northrop then left Douglas to form his own company. Heinemenn and project engineer Robert Donovan began work on the A-26 project in 1941. It would incorporate several of the A-20s features yet it would be as advanced as possible with many state-of-the-art concepts. A mid-mounted, laminar-flow airfoil wing was utilized with double slotted electrically controlled flaps. Defensive armament was limited to remotely controlled dorsal and ventral turrets both under the control of a gunner located in the rear of the fuselage. Approval to develop prototypes was received from the Army in June of 1941. Three were built at Douglas El Segundo, California plant and were designated the XA-26. Heinemanns design team had built in a lot of flexibility into the A-26s design. The aircraft could be easily modified to vary its role. A three-man attack bomber version with a Plexiglas nose could be modified into a two-man night fighter version with radar in the nose and four ventral-mounted 20mm cannons, or modified once again into a ground attack aircraft with a variety of nose-mounted armaments. Work on the three prototypes was slowed by the War, but the aircraft was ready to go into production by mid-1942. Screw-ups within the Army and a lack of manufacturing equipment delayed the start of production until 1943. The Army decided to cancel the night fighter version of the A-26 and proceed with production of both a bomber and ground attack versions of the aircraft that would be named the Invader. The A-26B with the nose-mounted armament generally was fitted with either six or eight machine guns. The B variant could carry a 6,000-pound bomb load powered by its twin 2000-HP Pratt and Whitney R-2800-27 engines. With a maximum speed of 322-MPH the aircraft had a service ceiling of 25,000 feet and a maximum range of approximately 3000 miles. The A-26C variant was the glass nosed bomber version. In total 1,355 B versions were built along with 1,336 C versions. After the War the A-26s designation changed to the B-26 - leading to some confusion with the Martin-built B-26. In Stan Stokes painting entitled No Trains Today, a pair of A-26Bs rip into an Axis freight train behind enemy lines in 1945. The A-26 would go on to serve in the Korean War and several of these splendid aircraft remain air-worthy to this day.


Midway: The Turning Point by Stan Stokes.

The Battle of Midway in June of 1942 marked the turning point in the War in the Pacific, and the Douglas SBD Dauntless was the aircraft which provided the punch in this decisive victory for America. The SBD, which earned the nickname Slow, But Deadly, entered service with the USN and USMC in 1940. Powered by a 1,000 HP, 9-cylinder, Cyclone radial engine the SBD was capable of a maximum speed of 250 MPH. The Dauntless could stay airborne for a long time with its 1,300 mile range and slow cruising speed, and it was capable of delivering a 1,200 pound bomb load. Because of its slow speed the SBD needed armament to discourage attack by enemy fighters. Two forward firing machine guns and either one or two rear firing guns mounted in the gunners cockpit behind the pilot, gave the SBD enough firepower to make it a challenging target for enemy fighters. The Japanese plan for invading Midway, a strategically-located small island about 1,100 miles northwest of Hawaii, involved the use of a decoy fleet which would feign an invasion of the Aleutians, while the main fleet consisting of approximately 100 ships and four aircraft carriers would carryout the invasion. Based on intelligence reports the US Navy was ready for Adm. Yamamoto this time. The American force totaled 25 ships including the carriers Hornet, Enterprise, and Yorktown. Air power was about even, because the U.S. could count on nearly 100 land-based aircraft on Midway itself. About 1/3rd of the U.S. air power was represented by SBDs. During the first exchanges, American attacks on the Japanese invasion fleet with both land-based and carrier-based aircraft were repulsed with substantial losses. These low-level torpedo attacks focused the attention of both Japanese fighter pilots and AA gunners on the horizon. Lacking effective radar, the Japanese fleet would prove to be unprepared for a high altitude attack by swarms of SBDs on June 4, 1942. The timing proved perfect as the Japanese carriers were laden with fully fueled and armed aircraft being readied for a second wave. As depicted in Stan Stokes dramatic painting the 1,000 pounder of Paul Lefty Holmbergs SBD penetrates the carrier deck of the Soryu while Holmberg pulls out of his dive. Right behind Holmberg is another SBD of VB-3 from the USS Yorktown. SBDs from the Yorktown and its sister ship the Enterprise destroyed three Japanese carriers in a matter of minutes during this battle. While the Yorktown was later lost in the Battle, all four Japanese carriers were eventually destroyed including many of Japans most experienced naval aviators. The rugged and effective Dauntless, the only USN aircraft to remain in service through the entire war, was responsible for destroying more enemy shipping than any other aircraft during WW II.


Favorite Lady by John Young.

A damaged Boeing B-17G of the 510th Bomb Squadron, 351st Bomb Group operating out of Polebrook, Northants, escorted here by North American P-51Ds of the 357th Fighter Group from Leiston in Suffolk.


Ruby's Fortress by Stan Stokes.

The B-17 Flying Fortress, was one of the most acclaimed aircraft of WW II. It is also one of those uniquely popular warbirds which has attracted more than its fair share of romance and nostalgia over the years. Nearly 13,000 of these aircraft were produced. The origins of the B-17 dates to 1934 when the Boeing company was authorized to build a prototype of a long-range, metal, monoplane, medium bomber which was designated Model 299. During the first public exposure of the prototype a reporter from the Seattle Daily Times coined the term flying fortress in his description of the new sleek, heavily armed aircraft. Boeings public relations department liked this reference, and shortly thereafter the aircraft became known as the Flying Fortress. Boeing received an initial order for 13 aircraft, designated the YB-17, and these aircraft were delivered in 1937. Later that year Boeing obtained orders for several enhanced models, which were designated B-17Bs. These aircraft had supercharged engines permitting higher ceilings, redesigned nose sections, hydraulic brakes, and larger rudders. With the outbreak of WWII the first Flying Fortresses were used by the RAF. Early experience by the RAF underscored the need for increased defensive firepower. Boeing responded by redesigning the entire rear fuselage on the aircraft, and incorporating a rear gun and a remotely controlled under belly turret gun. The resulting B-17E was only slightly slower than its predecessor at 317 MPH, and in mid-1942 the USAAF began moving B-17 units to the United Kingdom. These were primarily B-17Fs. Flying Fortresses had the ability to take a lot of punishment. The aircrafts flying characteristics were excellent, and it was not unusual for B-17s to return to base with large sections of wing surface or tail fin missing. The first B-17G models began to see action late in 1943, and were, along with the B-24 Liberators, carried the brunt of the USAAF daylight bombing campaign against targets of strategic significance. Such missions were exceedingly dangerous until only very late in the War. Luftwaffe pilots learned to attack B-17s head-on from the 12 oclock position, as this was the most vulnerable area to attack, and one in which crew injury was the most likely. Aviation artist Stan Stokes, in his painting entitled Rubys Fortress, shows a B-17G of the 8th Air Forces 385th Bomber Group over Germany in 1945. The aircraft in the foreground was named for Cpl. Ruby Newell of Long Beach, California. Ms. Newell was voted the most attractive WAC in England in 1944. The nose art painted by Cpl. Ploss was a fitting tribute, and such nose art was a great morale booster for bomber crews and ground support staff. Many B-17s were named after women, appropriate considering the fact that during wartime the majority of the people which built these planes were women.


Hellcat Fury by Robert Taylor.

Truk, the small atoll in the South Pacific, was the major anchorage for the Japanese Fleet. Comprising a magnificent harbor and four heavily defended airfields, it was thought impregnable by the US forces as they fought their way up through the Pacific. But on 16-17 February 1944 a violent two-day aerial assault by carrierborne aircraft of Task Force 58 exploded the myth. In just two days the US Navy flyers sunk over 200,000 tons of Japanese naval shipping and destroyed an estimated 275 enemy aircraft, totally eliminating all effectiveness of the Japanese base. Light as the US Navy losses were only 25 aircraft failed to return the battle for Truk was ferocious. The ground installations, ships, and airfield batteries put up intense antiaircraft fire against the attacking American aircraft, while Zeros did their best to repel the onslaught. The air above the atoll became a maelstrom of flak, tracer, flying lead and shrapnel, while below huge explosions rocked the ground as ammo and fuel dumps were hit, fires raged, and the acrid smoke of battle pervaded the entire area. In this important new painting, his first featuring the F6F Hellcat, Robert Taylor brings to life the scenario that was crucial to Admiral Spruances forceful drive through the Central Pacific. The once feared Japanese base at Truk is being reduced to a statistic of war. Hellcats of VF6 hurtle across the lagoon at masthead height with guns blazing, creating havoc as they tear into the enemy positions below. Seen in the foreground is the F6F-3 of Lt. Alex Vracui, subsequently to become one of the Navys top guns. This exhilarating work dramatically conveys the awesome conditions endured day after day by the pilots of the US Navy and Marine Corps in the Pacific.


Dove of Peace by David Pentland.

P51D of Colonel Glenn Duncan C.O. of the 353rd Fighter Group, along with Betty-E flown by Lt. Colonel Wayne Blickenstaff, taking off on one of their last missions of the war, April 1945.


Pappys P-40 by Stan Stokes. (AP)

SLIGHT CORNER DAMAGE ON BORDER, SEE PHOTOS BELOW, NOT VISIBLE WHEN FRAMED.


Hot Pursuit by Nicolas Trudgian. (B)

Flying a bomber escort mission, a P- 51 Mustang of the 357th Fighter Group engages Me109s about to descend upon a formation of B-17 Flying Fortresses.


Doolittle Tokyo Raiders by Robert Taylor.

On the morning of April 18th, 1942, just four months following the devastating surprise attack on Pearl Harbor, sixteen Army Air Force B-25 bombers under the command of Lieutenant Colonel James Doolittle engaged in a daring aerial raid to strike back at the enemy's capital of Tokyo. For his role, Doolittle was awarded the Congressional Medal of Honor.


Leap of Faith by Ivan Berryman.

Dodging heavy flak and anti aircraft fire in the skies above Normandy, Douglas C-47s of the 91st Troop Carrier Squadron, 439th Troop Carrier Group see the 101st Airborne Division away on the night of 5th/6th June 1944 at the start of Operation Overlord. D-Day had arrived.


P-51 Mustang by Nicolas Trudgian.

Part of a small print series of six American WW2 aircraft, signed by some of the great American pilots, some no longer with us. Cranston Fine Arts have purchased the last remaining stocks of this aviation series.


Pure Dynamite by Ivan Berryman.

Crucial to the early stages of Operation Overlord on 6th June 1944, the B-26 Marauders of the 386th Bomb Group, 553rd Bomb Squadron, carried out low level bombing runs on the German defenses to pave the way for the Allied landings along the beaches of northern France and thereafter provided vital air support as the invasion gathered momentum. 131576 AN-Z, now on display at the Utah Beach Museum, is depicted here as a tribute to the brave crews of the 386th.


Head for Home by Anthony Saunders. (APB)

When a fighter escort with a bombers range first appeared over Berlin, Goering knew the end of the war was only a matter of time. when that particular fighter escort turned out to be the Mustang, perhaps the most outstanding of all WWII fighters, the time was all too short. Unlike the RAFs Spitfire and Hurricane, that had succeeded in the Battle of Britain, Goerings Luftwaffe failed to protect its own air space, leaving allied air forces unhampered to bomb Germany by both day and night. Two battle weary Mustangs of 357th Fighter Group, with ammunition spent and fuel low, have broken away from the main bomber force to head across the Channel for home.


Doolittle Raiders by Robert Taylor.

Doolittle Raiders take their B-25 bombers down to very low level and head for China after delivering their surprise attack on the industrial and military targets in and around Tokyo on April 18, 1942. The sixteen-ship mission, led by volunteer crews, successfully completed one of the most audacious air raids of World War II.


Berlin Bound by Anthony Saunders.

In 1944 Berlin was probably the most defended city in the world. The Luftwaffe had kept what reserves it had for planes to defend Berlin. On March 6th, 1944, The USAAF were involved in the massive air raid on Berlin, 69 B17s were lost - but the Luftwaffe lost 160 planes. Whereas the US 8th Air Force could recover from these aircraft losses, the German Luftwaffe could not. By the end of the war, the 8th Air Force and the Royal Air Force had destroyed 70% of Berlin.


101st Airborne en route to Normandy by Ivan Berryman.

A Douglas C-47 of the 91st Troop Carrier Squadron, 439th Troop Carrier Group gets away from the Devon airfield of Upottery on 5th June 1944 carrying paratroops of 101st Airborne Division. The company departed from Upottery airbase in Devon, England, and dropped over the Cotentin Peninsula of Normandy, France in the early hours of the morning of June 6th, 1944 at the start of the Normandy invasion.


Pacific Dolls by Stan Stokes.

The Boeing B-29 Superfortress was undoubtedly the best all-around strategic bomber of WW 11. Because of its fairly late deployment in the War, fewer (3,970) Superfortesses were built than any other U.S. strategic bomber. Because of its large payload, and incredible range, a decision was made to utilize the B-29 exclusively in the Pacific and production models began to arrive in India and China in the spring of 1944. By mid 1945 the B-29 was being operated from bases established in the Mariana Islands, and devastating bombing raids were being flown against Japan on a regular basis. The Texas Doll was a Saipan-based B29 of the 497th Bomb Group, which was under the command of Col. Edward Cutler in 1944 & 1945. In a soon to be published book entitled Flying the Red Carpet, Lt. Col. Don Julin, Cutlers navigator, chronicles in both words and photographs his experiences flying out of Saipan in 1945. The Texas Doll participated in the massive fire bombing raid on Tokyo on March 10, 1945. General Lemay insisted on an all-out low level attack and the Doll was stripped of armor plate and left two of its gunners at home for that mission. Follow-up raids on Nagoya, Osaka, and Kobe followed within days, and it was clear from that point on that Imperial Japans days were numbered. These missions were not without risk. On his first mission with the Doll, Julin recounts how the bomb bay was hit with a 20mm round from a Japanese twin-engine fighter. The concussion from this shell distorted the shape of one of the Dolls fuel tanks, leading to some harrowing fuel shortages on future flights. On Julins first mission from Saipan his B-29 depressurized over Japan. One of the crew members flak jacket, oxygen mask, and shirt were stripped from him, and the pilot was forced to make a emergency dive to 10,000 feet. Returning to Saipan on another mission Cutler and his crewmates watched a B-29 ditch 100 miles short of making it back. In June of 1945 the Dolls crew witnessed two B-29s collide at only 1000 feet in altitude. On April 1, 1945 Cutlers crew watched in terror as the aircraft just ahead of them crashed into the Pacific and exploded upon takeoff. On March 25, 1945 Cutler and his crew flew their final mission with the Doll painted on the nose of their aircraft. It appears that a number of people back at the Pentagon were giving in to pressure, and all the voluptuous nose art which was so inspirational to the crews which risked their lives on each mission, was now deemed inappropriate. In his nostalgic painting entitled Pacific Dolls, award-winning aviation artist Stan Stokes depicts the Texas Doll at Salpan following a mission in March of 1945. This painting is dedicated to all the courageous crews which both flew and serviced all those Pacific Dolls during the War, and is a tribute to this great aircraft which explicitly helped America win the War in the Pacific.


Operation Tidal Wave by Nicolas Trudgian.

At first light on August 1st, 1943 a force of 178 B-24 Liberator bombers lifted off dusty airstrips in the Libyan desert. They were to fly a 2000 mile round-trip deep into enemy territory, bomb a heavily defended target, and return to their North African base - without fighter escort. So began one of the bloodiest and heroic missions in the annals of aerial warfare. The target - the oil refineries at Ploesti. One third of Germany's petroleum products were supplied from Ploesti, situated deep in Rumania and well beyond the range of Allied bombers based in England. Deprived of this vital supply of fuel, Germany's mighty war machine would grind to a halt. The high command were aware of this and the installations at Ploesti were defended accordingly. To attack such a heavily defended target with the required degree of accuracy it was necessary to bomb from a perilously low level, a task for which the B-24 was notoriously unsuited. The mission called for inspired leadership, cool determination and courage beyond the call of duty - and all of these were given in plenty. As the first wave of bombers roared into the target, some as low as 50 feet, the German defenses opened up with a barrage of fire. Within moments the entire area erupted with exploding bombs, bursting shells, gushing flames and billowing palls of smoke. One by one the gallant crews took their aircraft through the intense wall of Ack-Ack and 88mm ground fire, and into the burning inferno to deliver their deadly cargo. Of the 178 B-24s dispatched, 52 were lost and all but 35 aircraft suffered damage, one limping home after 14 hours and holed in 365 places. Ploesti witnessed countless acts of heroism, for which the crews received more decorations for bravery than any other mission of the war.


Mission to Yokohama, Japan, June 1944 by David Pentland.

Boeing B29 Superfortresses of the USAAF 40th Bomb Group come under attack from a Kawasaki Ki64 Hein (Tony) of the Japanese Army Airforces 244th Sentai.


Eagles on the Rampage by Robert Taylor.

Dominating the skies over Germany, P-51s of the 4th Fighter Group - The Eagles - sweep across the cloud tops, their pilots scanning the distant horizon for any signs of the Luftwaffe. They are ready for trouble should the enemy decide to chance their luck. The greatness of the Mustang is beyond doubt; it was the fighter pilot's ultimate machine. Tough, hard-hitting, it handled beautifully and - once the mighty Merlin engine had been included - possessed a performance unrivalled by any single piston-engined fighter of World War II. British inspired and American built, the P-51 was the aircraft the eager young pilots of the Eighth Air Force had been waiting for. Formed in September 1942 from the RAF Eagle Squadrons, the Fourth Fighter Group was the oldest fighter unit in the Eighth Air Force. Under the command of Don Blakeslee, described as probably the best fighter leader of the war, the combined air and ground victories notched up by 'The Eagles' during World War II surpassed any other fighter group. They were the first to penetrate German air space, and the first to engage the Luftwaffe over Berlin. Hermann Goering later remarked 'When I saw those Mustangs over Berlin, I knew that the war was lost'. Each print in this outstanding edition is signed by some of the most famous Mustang pilots that flew in the European Theatre during World War II. Every signatory in the edition has reached Ace status, creating a historic new collectors' edition which may never be surpassed.

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